afaik, it really depends on the spatial structure of the audio field.
think nyquist sampling rates, applied to space, and you can't apply a low-pass filter just because you don't care about higher-order signals. that means that for any given audio environment, there will be some "spatial spectrum" of signal, and you need to sample it densely enough to avoid aliasing.
think nyquist sampling rates, applied to space, and you can't apply a low-pass filter just because you don't care about higher-order signals. that means that for any given audio environment, there will be some "spatial spectrum" of signal, and you need to sample it densely enough to avoid aliasing.