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I see the ad if I search for just "southwest".


True.


"Their crime was ranking highly in Google, while Google said what they were doing was OK."

There's the letter of the law and there's the spirit of the law. EE may have been compliant with the letter of Google's law at the time, but if you'd asked Google and Google users specifically they would've told you it was sleazy/not ok.

Google eventually understood the sleaziness and changed their policy to address this specifically. End users also understood the sleaziness and went elsewhere.


I suspect you are coming from the same background as me, where "coffee" means espresso. I need to keep reminding myself when reading these discussions that for most people in the US plain "coffee" means brew or drip type. (I'm Puerto Rican BTW, where most households use a moka pot[1] that produces coffee very similar in strength to espresso.)

[1] http://en.wikipedia.org/wiki/Moka_pot


The article has a sidebar explaining "hot-desking":

"Hot-desking - the idea that employees don't retain a fixed desk in an office - is a key part of organisations' move towards cheaper, more flexible workplaces. The more employees work from home, the more organisations can shrink their offices to accommodate only the number of people who are in every day."

In addition to the telecommuting angle, I've seen open plan offices like this that also have a limited number of closed rooms where employees can go for a while if they want some privacy, or if they need to work with a colleague for a while. That seems like a good compromise.


He is arguing for interoperability ("RSS, semantic markup, microformats, and open APIs"). It is not about open/closed source.


We are talking about a person who responded "LOL" to questions about whether his magazine's articles would be able to be sent to competing read it later services (he has since just changed that to "No"). There is a definite disconnect between what is being said and what has been done.


As someone mentioned in the article comments, it's worth noting cars outnumber truck sales worldwide, around 3 to 1.

http://en.wikipedia.org/wiki/Automotive_industry#Top_vehicle...


Because I was there early, my iCloud email/Apple ID is a fairly short but uncommon word, and I receive at least three of these emails every week. I also constantly get subscribed to newsletters I never requested, and receive many messages (both emails and through iMessage) from people who thought they were contacting someone else.

I have two theories on why is this:

1. There is at least one person out there in the world who is convinced they own my iCloud email address, but have "forgotten" their password, so they keep trying to reset it. Meanwhile they keep giving out the address as though it were theirs.

2. There's simply an astounding number of people using iCloud, many of them technically unsophisticated users, so data entry mistakes in login forms and other places will be more common.

I do reset my password every week or so, just to be safe.


I don't know, I wouldn't use Glengarry Glen Ross as an example of something you'd aspire to. The play/movie is a criticism of the sleazy "sales animal" culture where the product doesn't matter, closing sales is equated to virility, and the players are so desperate for a sale they'd lie, steal and ruin other people's lives for it.


Bingo. This is about as amusing as Reagan using Bruce Springstein's "Born in the USA" in his 1984 presidential bid.

Do some people just not understand how to interpret literary, musical, and other artistic works? Or are they being deliberately ironic?


> But the real trouble is that some countries don't allow an author to surrender their moral rights

Correct. This is what happened in Puerto Rico. In preparation for the Puerto Rico version of CC, the University of Puerto Rico Cyberclinic did a comparative study of moral rights across the world: http://mirrors.creativecommons.org/international/pr/moral-ri... which is pretty informative.


"Moral rights" in this contexts seems to be a utterly Orwellian contraption.

There are few more fundamental rights than the right of free speech, and this so called "moral rights" are utterly incompatible with free speech.


Well, the moral rights available to most authors are not generally Orwellian. One of them, for example, is a right which you cannot waive to say "I made that" and perhaps to coerce others into admitting that "she made that" (i.e. attribution). CC-BY already does this, as do most open-source licenses. Another is a right which you cannot waive to be able to later say, "stop using my work," as if, for example, some organization you detest, let's say NAMBLA, decided to play your music as inspirational anthems at their meetings. Crucially, if they are economically impacted by this (e.g. they place your music in a film and now your claim forces them to redo the soundtrack, recall all the copies which they've already made and distribute replacements, etc.) then they can usually demand that you pay for the costs involved.

French law goes a little further in this vein. In French law, if you paint something racy for a private collector which could perhaps damage your reputation if it went public, you can decide that the private collector is not allowed to put your painting up for public exhibitions, and they have to respect that (at least until you die). If they are going to make a ceremony of burning or defacing your work, you're also entitled to forbid them from doing so -- though I'm not sure how this applies to derivative works, it demands "respect de l'intégrité de l'oeuvre" -- respect of the integrity of the work.

Moral rights are not strictly copyrights -- they do not forbid copying. They are only incompatible with "free speech" in a subset of cases where, arguably, that speech is being used to harm the author of the work. The only peculiarity is that the author of the work is given a very wide latitude to decide what uses of their work are "harmful" to them -- but this is probably the only way to avoid massive legal complications.


> "Moral rights" in this contexts seems to be a utterly Orwellian contraption.

No more so than the right to privacy, or publicity rights in general.

> There are few more fundamental rights than the right of free speech

There's absolutely nothing effectively fundamental to free speech. Not even one country provides for unlimited and unrestrained free speech, yet most of them seem to work well enough.

> and this so called "moral rights" are utterly incompatible with free speech.

I fail to see the relation, let alone the "utter incompatibility". Not that it matters, as both are social constructs


> I fail to see the relation, let alone the "utter incompatibility".

Well in the USA flag burning is considered a form of free speech. After reading parts of the linked document from Puerto Rico it seems like I would not have legally be able to burn/destroy/deconstruct art that I have bought from an artist under all circumstances with out the artists permission. From the USA legal perspective this seems to limit free speech.

> Not that it matters, as both are social constructs

Some constructs are more effective then others at achieve specific goals, in this sense it does matter.


Your free speech in the US does not extend to the right to burn any specific flag, but to the act of burning a flag as a political expression, so this would only restrict your speech in cases where destroying a specific, unique work is important to the speech.

Maybe there are specific cases where doing so is an important message, but conversely giving you that right would give you the right to destroy the speech of others.

How is giving you that right furthering free speech?


How so are they incompatible with free speech?

In most jurisdictions they boil down to a right for the creator of the work to receive or deny attribution (the latter if the integrity of the work has been compromised; e.g. consider if I wrote a political manifesto and somebody decided to republish it under my name but insert statements endorsing fascism on every page with the intend of discrediting me).

This does not prevent your ability to exercise speech - it places some small limitations on how you can attribute the work, that are far less restrictive than estate rights.

Some jurisdictions extend moral right somewhat farther, but compared to estate rights the restrictions are tiny and they all apply to your ability to duplicate other peoples creative works, not your ability to exercise your own speech.

I am very curious to see why you believe moral rights impact free speech in any significant way.


I don't think your scenario is a good example of the advantage of moral rights because I couldn't carry it out under copyright either. In the US, UK, and France, copyright is life + 70 years. Republishing your work, even with inserted statements on fascism, is a violation of copyright laws, so not permitted. Note that in the UK, moral rights only extend to the length of copyright law; in France it's forever.

Don't you think that 70 years is enough time for your original views to have gotten out? I mean, I could also take the works of Darwin and insert references to young earth creationism on every page, but I don't think it would change many people's minds about Darwin's works.

I suppose I could take an obscure biography written 100 years old and change it to discredit the original author. But what impact would it have? I could as easily write a completely fake story and attribute it to the original person, and get the same effect. Do you wish to also ban historical novels?

In Dastar Corp. v. Twentieth Century Fox Film Corp, the Supreme Court decision (8-0, btw) said:

> Reading "origin" in §43(a) to require attribution of uncopyrighted materials would pose serious practical problems. Without a copyrighted work as the basepoint, the word "origin" has no discernable limits. A video of the MGM film Carmen Jones, after its copyright has expired, would presumably require attribution not just to MGM, but to Oscar Hammerstein II (who wrote the musical on which the film was based), to Georges Bizet (who wrote the opera on which the musical was based), and to Prosper Mérimée (who wrote the novel on which the opera was based). In many cases, figuring out who is in the line of "origin" would be no simple task.

It seems the same problems of attribution, and of defining the source of the material, would apply to any moral right which extends "forever."

Thus why I don't think your example helps clarify the reason for the particular moral right you mentioned.


> I could also take the works of Darwin and insert references to young earth creationism on every page, but

Something very similar to this exists: A version of Origin of Species with a 50-page rebuttal attached: https://www.google.com/search?q=creationist+origin+of+specie...


Thanks! I read about that when it happened, which influenced my decision to use Origin of Species here. However, as it was a rebuttal attached, and not attributed to Darwin, and didn't distort or mutilate Darwin's own work, it didn't seem to fit the scenario.


Interesting idea, but it doesn't match what happens. Places with "moral right of author" are not Orwellian nightmares.


PDF!


Love the music. Kinda reminds me of The Computer Chronicles with Stewart Cheifet: http://archive.org/details/computerchronicles


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