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Can confirm. I live a couple of miles from Mountain Air and that is the runway up there on the mountain.


Thanks for the feedback, Mountain Air doesn't have an ICAO code, so I had to use a workaround. Clearly it isn't working ....


Loneliness is not a phase.


This is America. Don't catch you slippin up.



I became committed to running at age 40. I'm 56 now and running is still a large part of my life. Exercise helps improve my mood, gives me time to just focus on myself, has helped my self esteem as I've improved and taken on longer distances, has given me some sense of community among other runners.


Holy shit, that was a great read.


Oh! I'm about 1/4 of the way through book II. Can't recommend enough for history nerds!


Fiction

--------

Termination Shock - Neal Stephenson

Station Eleven - Emily St. John Mandel

Shards of Earth - Adrian Tchaikovsky

Project Hail Mary - Andy Weir

Gnomon - Nick Harkaway

The Gone Away World - Nick Harkaway

The Apollo Murders - Chris Hadfield

Nonfiction

----------

Mindf*ck - Chris Wylie

1776 - David McCullough

Apollo 8 - Jeffrey Kluger


Apple: Mr Gibson, how many zeroes feels right?

Bill: About THIS many.

Apple: Done. We begin principal photography in 90 days.


I hope so, because he deserves it.


My question is, how do you make Neuromancer almost 25 years after The Matrix, which was built on the precepts of Neuromancer, and not just end up with a road-worn Matrix movie?


Or even more banally, after Netflix's Altered Carbon, which I've only seen an episode or two of, yet it so easily encapsulates the platonic ideal of what a gritty cyberpunk show should look and feel like, to the point of banality? I'm not even picking on that specific series, it's probably not even the only example of that type of show that's been created in the last decade.

In short, how do you elevate it to more than a second-rate, middling, competent and utterly forgettable adaptation lost among the streams and appealing only to fans of the original work.


Hire people who care as much about the property as Cavill cares about The Witcher.


I think the two are sufficiently different that you could do it well. Just because they share the same genre doesn't mean they're necessarily redundant. Specifically Neuromancer has a very interesting mixture of pop culture and late stage capitalism that I could see being unique. A meditation on extreme wealth inequality and the dehumanizing aspects of capitalism and colonialism could be fascinating. I think any auteur could make this into a unique piece of art. I just question whether that's going to happen here.


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