That's great. I wish we could convince more people to use similar tools regularly, myself included.
It may not 'scale' as well as algorithmic feeds, but maybe that's what will save the Web. We need more sweat and passion, both in curation of content and in the effort to find it.
> I don't think Hendrix was on a 'mission' to solve engineering puzzles at all. He was just experimenting, as an artist.
1,000,000%. Guitar is one of those hobbies where people mythologize and build elaborate hagiographies around players they like and the gear that they used. Hendrix was a generational talent but I highly doubt he was sitting around enumerating problem statements and systematically exploring solution spaces. The Fuzz Face was one of like four dirtboxes available during that time so he chose that one. He flipped a guitar upside down because he could source one more easily than a lefty model. He leveraged feedback because he discovered it naturally and realized that he could make it sound totally badass.
The man clearly had a vision and executed it but his decisions were pragmatic, not the product of grand technical reasoning. It reminds me of the student who wrote a bunch of authors and asked to what degree they were conscious of the themes and symbolism in their work [1]. Many were not - as it turns out English teachers often put the cart before the horse. This is the rock and roll version of that.
I can't knock the article though as it has a lot of sound (pun intended) analysis in it as opposed to typical guitar forum dreck about NOS tube and hand-wired turret board magic.
> He flipped a guitar upside down because he could source one more easily than a lefty model.
I've read that he claimed he played a right-handed guitar upside down because his father was superstitious and didn't like him doing things left-handed, so he'd play a right-handed guitar upside down most of the time and flip it over when he needed to play in front of his father. (I'm not sure why he didn't play a lefty guitar upside if that was the case, but I could imagine that the availability might be relevant like you mentioned, or maybe his father was familiar enough with guitars to be able to recognize a left-handed one and figure out what was going on, or maybe because he was better left-handed he could play it upside-down well enough but due to not being right-handed he would have found it more difficult to play it in the non-standard way).
Obviously AI generated article. And the author hasn't made any attempt to disclose it. Take that into consideration.
Yet, The Machine has good points.
>For someone whose entire career is built on "if it broke, I can find out why," this is deeply unsettling. Not in a dramatic way. In a slow, grinding, background-anxiety way. You can never fully trust the output. You can never fully relax. Every interaction requires vigilance.
> you are collaborating with a probabilistic system, and your brain is wired for deterministic ones. That mismatch is a constant, low-grade source of stress.
Back when I bought my first computer, it was a crappy machine that crashed all the time. (Peak of the fake capacitors plague in 2006). That made me doubt and second guess everything that is usually taken for granted in hardware and software (Like simply booting up). That mindset proved useful latter in my career.
I’m not saying anything new. Andy Hunt and Dave Thomas have written about it in a way better way. I find it to still hold very relevant guidelines.
Honestly, I only use coding agents when I feel too lazy to type lots of boilerplate code.
As in "Please write just this one for me". Even still, I take care to review each line produced. The key is making small changes at a time.
Otherwise, I type out and think about everything being done when in ‘Flow State’. I don't like the feeling of vibe coding for long periods. It completely changes the way work is done, it takes away agency.
On a bit of a tangent, I can't get in Flow State when using agents. At least not as we usually define it.
I've build a signal injector to debug a guitar pedal that was not working. It was a nice little journey in itself. The astable multivibrator produces so much harmonics that I could hear it all the way back from the input jack, where it was supposed to be silent. Heck, I could hear it just by putting the probe nearly close to the circuit. The signal pushed through the circuit like Juggernaut breaking walls. Learned a lot about filters and was able to produce a nice sine wave out of it, it worked great.
This is the best advise here. OP, I'm sure that life is hitting you hard, but there's some valid criticisms. When we're in angst it subconsciously gets into everything we write, including resumes.
You need to sober up. Tailor your resume to each application, Cut excesses. Write simpler and make sure your experience covers what the position asks.
Also, consider talking to friends or doing therapy. Opening up with someone you trust helps a lot. Avoid doomscrolling. Things can look bad right now, but they can get better. Good luck.
Go read a book, contribute to linux kernel, eat a cheeseburger, get in a nice hotel, watch movies, learn to cook, drive though the country, befriend locals, start a wine collection, earn a master's degree, publish papers..
The author seems to put great value on doing grandiose things, so those suggestions may seem frivolous.
It's a respectable goal to pursue huge achievements in professional life, but please be aware that it involves lots of: (a) talk to other people and (b) doing mundane stuff most of the time. It all depends on how hard you want it.
English, German, and all hard skills i'm slacking off: Cloud, Deep knowledge of networking and linux. Maybe finish reading Design Data Intensive Applications for good. And definitely getting a Java certification as I find it useful as a personal metric.
For my hobbies, I still hope to get things organized (in my computer, my desk and my mind) to record some metal composings.
It may not 'scale' as well as algorithmic feeds, but maybe that's what will save the Web. We need more sweat and passion, both in curation of content and in the effort to find it.
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