Former alcoholic, I got similar advice early on. It was life changing.
Blocking social media is no different from existing laws for cigarettes, alcohol and various other substances. Nothing wrong with using them, but we do restrict self-serve access for developing minds.
Sure, kids will find a way. That said, like a glass of wine at dinner, parents are free to share their social media experiences with their kids; safely, supervised, limited.
Ark Nova. It's not Agricola-scale, but it has some similar "move maximization" vibes.
You can also play it on Steam if you can't find a crop of folks to sit down for three hours with you (though you can run through a full game against the computer in 35 minutes).
If anyone's looking for a good, quick, 2 player game, Sky Team was a lot of fun. My partner and I are always on the lookout for quick, but strategic 2 player games and this hit the spot.
It's cooperative and has enough variety to keep it at exactly the right balance of fun/challenging.
Similarly, if you're looking for a wild 8 player game -> captain sonar. It sounds confusing until you start playing and then the light bulb goes on and you can't get enough.
Sky Team is great, I agree. For a few more 2p co-ops to try out, I can recommend Sail, Burgle Bros (give it a few playthroughs to get a feel), and Regicide. All are available on BGA if you want to try them and I've loved playing them.
Like most things in music there's a real distinction between technical perfection (tuning is one, rhythm another) and music feeling alive. It's why perfectly quantized rhythms and music sound lifeless.
Our perception of these things (for most, not all) is incredibly fluid, much like our perception of time. Music that moves us tends to have the right "technical imperfections". Too much and it comes off as amateur, too little, and it comes off as sterile.
Even on a production-level, the right amount of harmonic distortion/non-linearity can be a huge benefit to how sounds are perceived. The amount of soft-saturation tooling in modern electronic/in-the-box music production is wild. Almost every modern plugin seems to include some kind of "warmth" control now.
Yet another example how perfect reproduction doesn't sound quite right.
I have very fond memories of my first dual-cpu Athlon machine.
It was the workstation on which I learned Logic Audio before, you know, Apple bought Emagic. I took that machine, running very low latency Reason to live gigs with my band.
Carting around a full-tower computer (not to mention the large CRT monitor we needed) next to a bunch of tube Fender & Ampeg amps was wild at the time. Finding a good drummer was hard; we turned that challenge into a lot of fun programming rhythm sections we could jam to, and control in real-time, live.
I think you've touched on it, but I'm going try to take it one step further into explicitness.
Just over a year ago I decided to switch to Neovim. The reason for switching was personal; I was struggling with what I'll call "clutter" in other tools and I wanted a tool that would reinforce, at least lightly, a mode of working that promoted focus on what I was working on, while making it easy to reference other files without loading up my editor with tabs and other visual clutter (buttons/menus) I don't care about most of the time.
I took the advice I seemed to bump into repeatedly: try out vim mode in my current editor before making the plunge.
I really struggled at first. It felt wildly foreign. All the shortcuts were nowhere near to the world I was familiar with.
As I was about to give up, I ran into some advice that was along the lines of "stop trying to memorize shortcuts and start thinking in terms of what you want to achieve" (words and motions in vim-speak).
Your example of [C]hange [I]nner is a great one; that one in particular was life changing. Sure there are some words and motions that do require memorization, but so many others just flow naturally. And once you start thinking in actions, it's easy to see how they can layer on top of each other in really elegant ways.
I'm not even here trying to tout vim-like editors, I'd wager there are many editors that have some semblance of this kind of interaction, but rather to reiterate there's a shift from a PoV of function vs. goal.
Again, I don't think this is "the right way" but rather one of many perspectives that works in context with the phenomenology of me.
That tracks for me; longtime claude, claude code pro subscriber (not all of it has been good - but that's neither here nor there).
Over the last few iterations of Sonnet and Opus, anthropic has definitely trained me to ask it to explain something "in detail" (or even "in great detail") when I want as much nuance as possible.
It used to be the inverse - way too much detail when I didn't want it.
Filming/video and lookups of people filtered through a corporate data mining operation without their consent should also be illegal. I'll take my chances, thank you.
I recently had to interact with an idiot wearing meta glasses. There should be a mandatory consent requirement AND an "on air" red led.
Do you mean in the courtroom or anywhere? Because filming and photographing people in public is legal everywhere in the U.S., and no consent is required.
> Do you mean in the courtroom or anywhere? Because filming and photographing people in public is legal everywhere in the U.S., and no consent is required.
First, note that "filming" in public is not necessarily legal in every state if you include recording audio of conversations you're not party to.
Second, the GP said should be illegal without consent, so clearly was talking about what's they consider right, not necessarily what is.
But most importantly, "filming and photographing people in public" is also obviously not what the GP was talking about. They said:
> Filming/video and lookups of people filtered through a corporate data mining operation without their consent should also be illegal.
And, actually, extracting biometrics from video of people and tracking them/data mining them without consent is in fact not legal in several states already, and potentially federal law, depending on what they do.
Former alcoholic, I got similar advice early on. It was life changing.
Blocking social media is no different from existing laws for cigarettes, alcohol and various other substances. Nothing wrong with using them, but we do restrict self-serve access for developing minds.
Sure, kids will find a way. That said, like a glass of wine at dinner, parents are free to share their social media experiences with their kids; safely, supervised, limited.
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