>To be fair, it's very hard in cinema to have people "get" the point without spoon-feeding it to them
And plenty of people will happily ignore any subtext you create, and most of the text you create, to just consume a portion of the imagery you put out. Neonazis LOVE all sorts of movies and characters that are supposed to be warnings about how bad Fascism is.
Yet they do NOT love Mel Brook's "The producers", because it makes Nazis look goofy. If you are trying to turn people off something, the absolute minimum bar is to demonstrate it's frank stupidity. You must eschew any and all "Coolness". This was also used to turn people away from the KKK when their stupid club rituals and limp handshake were shared without the normal framing.
And plenty of people will happily ignore any subtext you create, and most of the text you create, to just consume a portion of the imagery you put out. Neonazis LOVE all sorts of movies and characters that are supposed to be warnings about how bad Fascism is.
Yet they do NOT love Mel Brook's "The producers", because it makes Nazis look goofy. If you are trying to turn people off something, the absolute minimum bar is to demonstrate it's frank stupidity. You must eschew any and all "Coolness". This was also used to turn people away from the KKK when their stupid club rituals and limp handshake were shared without the normal framing.